Mary Ann Horton wrote in
<695e2970-00f2-ab55-8c1a-9fbd03add77f(a)mhorton.net>:
|I recall attending a TeX lecture by Knuth around 1981. He said he wasn't
|satisfied with the character layout from other formatting programs,
|which drove him to write TeX. He illustrated in great detail the kerning
|and exact placement of the font characters next to each other. I
|couldn't tell the difference, but clearly it was very important to him.
|He wanted his documents to look perfect.
I find with proof-reading roff provides very pleasant results; the
german translation of K&R Programming in C (2nd Ed., ANSI C; so
many credits to people on this list!!!) was produced in roff
(Liangs hyphenation, Kernighans pic, Lesks tbl, Kernighan and
Cherrys eqn, XENIX-adjusted d-i troff of ELAN; November 1989), it
could not look better.
I personally feel peeved when my documents do not look acceptable,
but, other than that, from computer documents i do miss the
spiritual, the contemplative and meditative side that
calligraphically beautiful documents represent. Just recently for
example a Thora that was saved from the flames reappeared here in
Germany, it would be yet another massive loss of culture if this
became binary or quantum.
--steffen
|
|Der Kragenbaer, The moon bear,
|der holt sich munter he cheerfully and one by one
|einen nach dem anderen runter wa.ks himself off
|(By Robert Gernhardt)