I had an idea. I asked Tom Duff, Mike Tilson, Bill Reeves to help me put together tools and font digitizations to "print" nroff output to the Versatec plotter one weekend in early 1978. Ron Baecker, their adviser, came in Monday morning furious that they had been hacking instead of working on their thesis. When he saw what we were doing, his tone changed completely and he asked if he could use it to send out a grant application he was working on. I used it for my 4th year optics thesis, which caused my prof to say I had obviously plagiarized it from somewhere, because there was otherwise no way to produce something that looked like that (Xeroxed Versatec paper). I had to work hard to convince him I had not cheated.
Later that year we, mostly Bill, coupled it to troff, along with some digitized fonts, and it went out on the Toronto tapes, with our names on it. For many years I saw evidence in scientific papers of people using Bill's digitization of the Bodoni fonts.
This is where it gets interesting.
Berkeley took it, tweaked it some - improved it yes, but it was substantially our code - and shipped it out, with our names removed and "Copyright the Regents of the University of California" across the top. I was seriously pissed but there was really nothing I could do about it. Years later I finally asked Joy about it, and his unapologetic answer was their lawyers didn't want our names on their software so they dropped them.
When Dennis Ritchie and Greg Chesson - together, yikes - were interviewing me for my job at Bell Labs, Dennis, holding my resume, asked why I had had worked on Versatec support for nroff and troff when Berkeley had already done it. I believe the force of my reply helped convince them I was worth hiring.
Years later, bless him, Henry Spencer said something on Usenet explaining why the "Berkeley typesetting software" was missing the names of those who created it. He was in the lab that weekend and saw it happen.
-rob